Part 2: What are the 2014 Visual Design Trends in Furniture & Interior Design?

We Continue this Week with Part 2 of Our Survey of 2014 Visual Design Trends in Office Furnishings and Interiors

Here’s a quick recap of Part OneInternational Design is back with a vengeance. It’s everywhere. Its spare design language is characterized by flat rectangular panels laid out in balanced, asymmetrical patterns. The panels themselves are typically finished in solid colors or with natural wood grain. The strong vertical and horizontal division lines are typically made with extruded aluminum trim, steel frames or natural wood with a contrasting finish.

We also looked at how designers, like Studio Jobs, winner of Best Wallcovering Award at ICFF 2014, are using graphically intensive wallpaper patterns to draw a strong contrast to the solid panels of the International Style. (Think classic Morris and Co. arts and crafts wallpaper on acid!) Another design house that we didn’t mention last week is Flavor Paper. Their new line of Andy Warhol screen print wallpaper is very pop; it uses bold colors with metallic papers to create large supergraphics in intense colors.

 

Graphical Wallpapers are Not the Only Game in Town. Tile is Also Making a Strong Comeback this Year, with a 3-D Twist.

Three vendors at this year’s international design shows had standout products which could change your mind about the importance of using tile.

 

Vancouver-based Keiou Design Lab exhibited unique room dividers and wall surface treatments made from organic shaped three-dimensional tile elements.
Vancouver-based Keiou Design Lab exhibited unique room dividers and wall surface treatments made from organic shaped three-dimensional tile elements.

 

First up is Vancouver-based Keiou Design Lab. At ICFF they introduced visually arresting wall panel and room divider systems. The designs are highly organic and sensual, yet they can coexist with other design elements in the International Style.

 

Oso Industries' new Aperiodix Wall Tile System is based on just six three-dimensional tiles, yet they let you create an infinite variety of compelling, non-repeating layouts.
Oso Industries’ new Aperiodix Wall Tile System is based on just six three-dimensional tiles, yet they let you create an infinite variety of compelling, non-repeating layouts.

 

The second vendor with a three-dimensional tile offering is Oso Industries, with their Aperiodix Wall Tile System. If you’re a mathematician, you probably already guessed that product name Aperiodix is a play on the term ‘aperiodic’, a term-of-art for non-repeating patterns. The overall effect reminds one of Islamic architecture, and in fact that was the intent of one of the designers, Eric Weil. Amazingly, there are only six different tile forms, but with just these six you can create an infinite variety of patterns. That’s the inherent beauty of this system. Made of cast concrete, it’s also an ideal choice for wet environments.

 

The new 'Mark' line of tile from Atlas Concorde creates a subtle three dimensional effect of light and shadow.
The new ‘Mark’ line of tile from Atlas Concorde creates a subtle three dimensional effect of light and shadow.

 

The third tile vendor which caught our attention this year is Atlas Concorde. Compared to Keiou Design Lab’s wildly organic three dimensional tiles, the new ‘Mark’ line from Atlas Concorde is rather subtle. Its slightly raised tile elements provide a nice highlight reveal and shadow effect. It’s a very fresh look that stands in contrast to the subway tile and small glass mosaic walls that now seem to be everywhere.

 

Lattice Design Motifs and Perforated Metal Makes a Comeback

A couple weeks ago, when we considered the top five design constraints that influence furniture and interior design, we talked about how furniture and interior furnishings manufacturers are under a lot of pressure to come up with designs that can disassemble into flat pack boxes for lower cost shipping and warehousing. We don’t know if it’s the chicken or the egg, but latticework has become a dominant design motif. Is this because many latticework designs can be broken down into small individual components, which can in turn ship in flat pack containers? Quite possibly.

 

We saw lots of lattice design motifs at this year's international design shows, especially in lighting fixtures. Shown are Global Lighting's Mesh Cubic GM pendant lamp (left) and the Titus Drum Light from Metropolis Factory.
We saw lots of lattice design motifs at this year’s international design shows, especially in lighting fixtures. Shown are Global Lighting’s Mesh Cubic GM pendant lamp (left) and the Titus Drum Light from Metropolis Factory.

 

A great deal of the lighting fixtures we’ve seen at this year’s series of international design shows fit with this new lattice design trend. On trend materials include bent metal wire and rod, elaborately perforated metal details, and even small wooden blocks tied together to create large sculptural forms. Above left is an example from Global Lighting, with their Mesh Cubic GM pendant lamp. On the right is the Titus Drum Light from Metropolis Factory; its dramatic shade is perforated metal.

 

Yes, Design Can be Exotic and Still Fit Into a Flat Pack!

While these two examples have a very symmetrical, machine-made look, there’s another 2014 Visual Design Trend: lattice design patterns taken from natural organic shapes. Ronan and Erwan Bouroullec, the two famous design brothers based in Paris, have long been a proponent of this natural lattice trend, dating back to their Algue (algae in French) room divider designs (introduced in 2004).

The Bouroullec Brothers’ design collection was front and center at Vitra’s Neocon 2014 exhibit, including their ground-breaking Vegetal design for stackable plastic seating (introduced in 2008). If you enjoy animation, it’s worth your time to look at this beautiful video which, without speaking a word, tells the story of the design inspiration for the Vegetal chair.

 

 

Trends in Contemporary Chair Design: Curves, Curves, Curves

As we turn our attention toward the major trends in chair design for 2014, we have to congratulate North Carolina-based Bernhardt Design on their 125th anniversary.  As part of their celebration, the company commissioned several world-class designers to build their new chair collection. We’ll take a look at two of the designs here.

 

Formaspace-Noe-Duchaufour-Lawrance-Harper-Rocking-Chair

 

First up is Noé Duchaufour-Lawrance, with his breathtaking modern interpretation of the classic Windsor rocking chair. This design, called Harper, neatly incorporates the lattice design motifs we touched upon earlier as well as the dominant theme for high-end chair design in 2014: compound organic curves constructed from hardwoods.

 

Formaspace-Anne-by-Ross-Lovegrove-for-Bernhardt-Design-ICFF-2014

 

The second designer commissioned by Bernhardt Design is Ross Lovegrove, known to some as Captain Organic — for his steadfast minimalistic designs inspired by nature. (You might enjoy viewing a Ted Talk by Ross Lovegrove where he talks about organic design inspiration.) His newest chair design, Anne, is an instant classic and made quite a splash at ICFF. Crafting these organic shapes into well-made working furniture is not an easy task. Attendees at ICFF took note of the craftsmanship and design on exhibit by Studio Dunn.

We think you might enjoy this short video presentation from this Providence, Rhode Island-based company, which gives you an idea about the painstaking attention to detail that goes into creating these highly-prized pieces of heirloom furniture.

 

2014 Has Been a Breakout Year for Art Center Graduate Austin Yang

 

Formaspace-Austin-Yang-Grace-Chair-ICFF-2014

 

Austin Yang, a recent graduate of Art Center in Pasadena, won the ICFF 2014 Award for Seating for his Grace Chair. According to Yang, these strong yet sensual curves were inspired by fashion — both from men’s tuxedos and women’s backless dresses.

 

Reissue of Classic Mid-Century Modern Chair Designs

With all this attention focused on organic chair designs with a Mid-Century Modern vibe, it’s no wonder many major chair manufacturers, like Vitra, have opened up their back catalogs and reissued many classic chair designs. For example, Fritz Hanzen has re-issued The Drop chair, a classic 1958 design by Arne Jacobsen. Interestingly, when they decided to go back into production, neither the original tooling nor the original source engineering drawings were available — so the product team had to ‘reengineer’ the design using modern CAD tools. We think you’ll enjoy viewing a short film about how they re-made the design.

 

 

Are You Inspired Yet?

We hope so. In fact, we’re also hoping you’ll be inspired to call us at 800.251.1505 and tell us about your next interior design remodel, new facility construction or factory expansion. Formaspace has the manufacturing and design capability to build your next set of office computer workstations, desks, laboratory workbenches or custom conference tables — all built with top-notch quality materials in our American factory here in Austin. That’s why we can offer a 12 Year Guarantee on our products. Why not give us a call today?

 

2014 Visual Design Trends in Furniture & Interior Design

What are the 2014 Visual Design Trends in Furniture and Interior Design?

This week we’d like to build on our analysis of the top design constraints that influence furniture and interior design in 2014 by conducting a broad survey of the key design trends in office furniture and interiors that we’ve identified at this year’s international design shows, including the Milan Design Week, Dwell on Design in Los Angeles, Neocon in Chicago, and the International Contemporary Furniture Fair (ICFF) held earlier this year in New York.

 

Richard Meier: Back to the Beach After 50 Years

New York is a great place to start our discussion. It’s been over 50 years since modernist architect Richard Meier designed his first residential commission, the Lambert House situated on the fragile Atlantic Coast of Long Island. This archetypical, spare modernist beach house, like many other well-known modernist beach house designs built in that time period, such as those by Andrew Geller, strongly influenced the prefab modernist house movement that we’ve experienced over the last decade. And this design trend continues as part of the current ‘small house’ movement, whose scope has recently expanded to include building smaller outbuildings and offices behind residential structures. Heck you can even see these pioneering beach house designs replicated in urban chicken coops!

 

Richard Meier's iconic 1961 Lambert House on Fire Island New York contrasts with his 2014 commission for a new beach house design constructed in glass and steel in the International Style.
Richard Meier’s iconic 1961 Lambert House on Fire Island New York contrasts with his 2014 commission for a new beach house design constructed in glass and steel in the International Style.

 

So it was with great interest that we read a major New York Times article this week about Richard Meier returning to his roots and building a new beach house for a new century. Clearly the International Style dominates this new design; smooth planar surfaces and acres of glass framed in steel create a strong horizontal and vertical emphasis.

Despite it’s unlikely setting on a beach, this new Meier design also seems to capture the zeitgeist of what is happening in contemporary office interior design as well. Using the terminology of landscape designers, these planar surfaces of glass and solid materials, all framed in metal, form the underlying hardscape upon which interior designers can add furnishings and decorative elements to achieve a modernist International Style design. In sum, this is the core design trend for 2014.

As evidence of this trend, compare the Meier design with one of the award-winning office designs at Neocon in Chicago: Susan Cain Quiet Spaces by Steelcase. (You can read more about the philosophy behind Susan Cain’s work in our article Neocon 2014 Brings Back Privacy to the Office Environment.)

 

Susan Cain Quiet Spaces by Steelcase shown at Neocon 2014 in Chicago harken back to the days of private offices. The office concepts are clearly drawn from the International Style branch of Mid-Century Modern design.
Susan Cain Quiet Spaces by Steelcase shown at Neocon 2014 in Chicago harken back to the days of private offices. The office concepts are clearly drawn from the International Style branch of Mid-Century Modern design.

 

You won’t just see this trend in high office towers, you’ll see it in business class passenger jet accommodations– those flying offices in the sky. Air New Zealand, which has been re-branding itself with the nation’s soccer club ‘Black’ theme, has taken note of this ‘International Design’ panel and framing design motif, which you can see here in the cocktail bar design for their new, black-clad carbon-graphite Boeing 787-900s.

 

Many business travelers consider airplanes to be an extension of their office. A distinctive design element on Air New Zealand's new fleet of all-black Boeing 787-900s is the passenger cocktail bar. Its sleek black panels, separated by aluminum frames, are in keeping with the International Style.
Many business travelers consider airplanes to be an extension of their office. A distinctive design element on Air New Zealand’s new fleet of all-black Boeing 787-900s is the passenger cocktail bar. Its sleek black panels, separated by aluminum frames, are in keeping with the International Style.

 

Design Detail Efforts Go Into Fittings and Hardware

With its unwritten rules designed to achieve an airy balance of design purity, the International Style can strike some as the basis for some rather spare — some might even say ‘institutional’ — environments. So how are contemporary designers creating some relief from what some may view as a fairly rigid, Teutonic design formula? The answer: Design is in the details.

At all the major design shows this year, there was a very strong trend toward emphasizing detailed design elements in otherwise utilitarian parts, like handles, pulls, brackets, connectors and locks. The design emphasis comes in three categories: the first is using relatively precious materials such as brass or gold-plated metals for the hardware. (We note the term precious is a relative one, but here we can safely say brass is more precious than MDF…)

The second category is selecting unusual, non-traditional materials which you would never expect to see in furniture design. And the third category is exceptional craftsmanship or at least an honest attempt to make it look like it was hand-crafted. (Now is a good time to avoid thinking about ‘artisanal hand-crafted’ cappuccinos at your local Starbucks)

 

Formaspace-Apparatusstudio-Lariat-Horse-Hair-Sconce

 

Two wall sconces from Apparatus Studio making their debut at ICFF illustrate this design trend. On the left, their Horsehair Wall Sconce uses a very unexpected material (horsehair) as part of its handmade look-and-feel. On the right, Apparatus Studio’s teardrop Lariat design uses old-fashioned metal braided cabling to enclose the electrical wiring  —  and in case you didn’t notice it — it’s looped around the fitting one extra time just to add a little bit of look-at-me emphasis.

 

Patterns on Cloth or Wallpaper Only Please

Another strong trend in evidence at this year’s furniture and interior design shows was the segregation of graphic patterns from solid materials. The new unwritten rule is patterns can only appear in designated accent areas: on perforated metal, wire mesh, upholstery cloth or tiled surfaces for example. The exception to the rule is wall treatments; printed supergraphics are now all the rage on wallpaper and mirrored surfaces.

 

Studio Jobs once again struck gold in its collaboration with the Dutch brand NLXL by winning the Best Wallcovering Award at ICFF 2014. Graphically intense wall paper and Trompe-l’œil supergraphics are back; providing strong contrast to the International Style's traditional reliance on steel, glass, solid color panels and natural wood surface finishes.
Studio Jobs once again struck gold in its collaboration with the Dutch brand NLXL by winning the Best Wallcovering Award at ICFF 2014. Graphically intense wall paper and Trompe-l’œil supergraphics are back; providing strong contrast to the International Style’s traditional reliance on steel, glass, solid color panels and natural wood surface finishes.

 

With tongue planted firmly in cheek, here are two examples to illustrate the current trends:

  • Furniture legs on chairs are structural! They have to show what they are made of, so they can’t be covered in pattern! Natural legs only! (The exception to the rule is when chairs aren’t meant to look like chairs. We’ll discuss this next week in part two of this article.)
  • Mirrored surfaces (what we used to call ‘mirrors’) are now a prime candidate for patterns. Key design trend: build up multiple layers of glass printed with supergraphics and sandwich them on top of mirrored surfaces. (Tip: You may need to get a regular mirror to see yourself.)

Confused yet? When in doubt, just remember all planar furniture surfaces need to have their natural surfaces (like wood grain) either be exposed or painted with solid color treatments to achieve that sleek International Style look. Thinking back to last week’s article about the design constraints facing today’s designers, supergraphics on wallpaper make a lot of sense. It’s the ultimate flat-pack product.

Supergraphic wallpaper also adds lot of graphical interest to otherwise bare loft-style office spaces — without requiring a large investment in expensive architectural details or leasehold improvements. 2014 also saw a return of Trompe-l’œil wallpaper for whimsical effect. Check out these humorous collector wallpapers found inside the new Air New Zealand Boeing 787–900s we mentioned earlier. A collection of butterflies and of books (with slyly crafted fake names and titles) adds just the right note of humor to the tight confines of an on-board aircraft lavatory.

 

Supergraphics are back in vogue. Here humorous trompe-l'œil details printed on the wallboard panels aboard the Air New Zealand lavatory provide a welcome distraction from an otherwise uncomfortable claustrophobic environment.
Supergraphics are back in vogue. Here humorous trompe-l’œil details printed on the wallboard panels aboard the Air New Zealand lavatory provide a welcome distraction from an otherwise uncomfortable claustrophobic environment.

 

Formaspace Can Help You With Your Interior Spaces

height adjustable office furniture suite
Height Adjustable Office Furniture Suite

We will conclude our survey of 2014’s top design trends in office furnishings and interiors next week. We’ll be taking a look at some unique Islamic-inspired tile designs, the widespread reintroduction of classic 1950s chair furniture lines and how designers are using lattice design motifs to create interesting organic shapes and forms — but still can be shipped and stored in flat-pack boxes.

In the meantime, if these top design trends are giving you some inspiration, why not call us at  800.251.1505 or contact a dedicated Design Consultant and let us know what you are thinking. We’d love to hear what design projects you have in mind. We can build a bespoke conference table, workbench or executive desk that will be the signature showpiece in your office or residence.

5 Design Constraints That Influence Furniture & Interior Design in 2014

Now that the heat of July has finally arrived, summer is truly here. Yet, at the same time, it’s hard to believe we’ve already passed the halfway mark on the 2014 Formaspace Exhibition Calendar.  So now seems like a good time to assess and distill what we’ve learned from 2014’s major architecture, contract furniture design and interior furnishing shows around the world. These include the Neocon contract furniture show and American Institute of Architects (AIA) convention, both held last month in Chicago; the series of NYCxDESIGN events, including the International Contemporary Furniture Fair (ICFF) held in New York City in May; Dwell on Design in Los Angeles, also held in May; and Italy’s Milan Design Week, which took place in March.

Don’t forget: In our two most recent articles, we provided a comprehensive roundup of highlights from the Neocon contract furnishing show in Chicago: Privacy in the Office and Environment and Health and Well-Being in the Office.

Design elements directly influenced by Mid-Century Modern works like the Hollywood Hills Stahl House (built 1960, design by Pierre Koenig) were on display at international furniture and interior design shows during the first half of 2014.
Design elements directly influenced by Mid-Century Modern works like the Hollywood Hills Stahl House (built 1960, design by Pierre Koenig) were on display at international furniture and interior design shows during the first half of 2014.

So What Have We Learned from these Key Industry Events During the First Half of 2014?

Let’s begin with the business trends first.

 

Construction Business Confidence is Up in 2014 AIA Report

The AIA issued their annual 2014 AIA Foresight Report during last month’s Chicago convention; it’s subtitled The Changing Context, Business, and Practice of Architecture 2014. In contrast to the 2013 report, there’s a more optimistic view towards the economic prospects of the building industry; more than half of the executives from design firms in North America foresee growth throughout 2014 and into 2015. They also expect mergers and acquisitions to continue on the upswing. Respondents also feel that there is a renewed need for a better work / life balance in the architecture, engineering and construction (AEC) community. (Sound familiar to anyone?)

Achieving a higher level of well-being among employees offers employers a potential competitive advantage for attracting and retaining key talent according to the report. So we might see more offerings along the lines of flexible work locations and hours, healthier work environments, profit sharing plans as well as benefits like support for ongoing education. Interestingly, the AIA states it’s aligned itself with the goals of the acting Surgeon General of the United States to promote the role architecture has as a positive influence on public health. The AIA report also notes the rise of public-private partnerships (P3s) as the Federal Government and many states have moved toward ‘blended’ ownership of what used to be the sole realm of government funded project initiatives. Another key trend in the 2014 report is the new role that crowd-sourcing tools are beginning to play.

These social media mechanisms, such as Kickstarter and IndieGoGo, can not only serve as unconventional sources of funding for new construction projects; these crowd-sourcing tools can also influence design choices in new ways. For example, crowd-sourcing can bring users, clients and designers together in functional teams which exists outside the boundaries of traditional architecture firms and their clients.

 

Now Let’s Move to Design Trends in Furniture and Interior Design in 2014 & Beyond

After experiencing all that was on display in the first half of 2014, there’s no question we are experiencing a full-scale Mid-Century Modern revival. Dwell on Design in Los Angeles organized a well-attended (and well-sponsored— by the Cadillac ELR Coupe in this case) field trip where attendees could visit luxury homes inspired by the works of late Mid-Century Rock Star designer icons Neutra and Schindler. Further evidence of the Mid-Century Modern revival is in nearby Palm Springs. This resort town is experiencing a huge reversal in its fortunes after hitting rock bottom during the Great Recession’s housing crisis. Its new-found success as a top tourist destination is fueled by Palm Spring’s burgeoning reputation as the spiritual home (a desert mecca if your will) of great Mid-Century Modern home design.

 

Why is Mid-Century Modern the Dominant Design Influence at Present?

A lot of it could just be the natural timing of design revivals which seem to occur on a regular basis as new generations rediscover the recent past. After all there’s a new generation of consumers and designers, the Millennials, that are just beginning to make their tastes known in the marketplace.

 

Key Trends: 5 Design Constraints that Influence Furniture and Interior Design in 2014

We think there may be other reasons for the Mid-Century Modern revival, which are based on design constraint trends. We’ve identified five constraints.

Constraints, it is often said by experienced designers, actually, serve the purpose of good design. They inspire solutions to solve problems.

 

Constraint 1: Eco/Sustainable Design for LEED Credits and More

Recycle, re-purpose, reuse is the mantra that’s drilled into our brain, and for good reason, because it’s good for the environment. Successfully reusing reclaimed materials in the design process can be tricky, however. Not every design direction works when recycling materials is a primary constraint. However, many of the flat, smooth-sided surfaces of Mid-Century Modern designs lend themselves naturally to incorporating and featuring recycled materials. For curved shapes, the pioneering work of Charles and Ray Eames — particularly their innovative designs made of both bent/curved and flat panel plywood furniture — are clearly influencing today’s designers. Here are two examples:

 

MOLO-softwall-and-softcloud

 

MOLO

Their sensational softblock wall partitions and softcloud lighting ‘mobiles’ and seating systems were a big hit at ICFF and Neocon. The surfaces are made of light cardboard and paper materials. Wood bases are made from sustainably harvested hemlock from the US Pacific Northwest. You can read more about their ICFF Exhibition stand on their MOLO Belgian blog (in English).

 

If recycled materials are of interest to you, you should read how Formaspace uses recycled materials in its production process and how Formaspace can help you earn LEED credits.

 

Constraint 2: Flat-pack Design for Reduced Shipping Costs

The ubiquitous emergence of Flat-pack shipping boxes is — according to one wise old designer — the reason why “we can’t have nice things” anymore. Do you want a sturdy old-school-style torchiere floor lamp? They’re not built like they used to be. Plan on assembling your new lamp by screwing together three separate wobbly sections, all thanks to the economic pressure which dictates all the parts must fit into the smallest volume of flat-packs for lowest-cost shipping and warehousing. New designers seem to take these requirements for disassembling their designs into the smallest possible packaging containers in stride, however. Here too, we see many inspiring designs from the ICFF Show which can ship small but assemble large.

 

Dada cardboard cradle, by Ulrike Leitner, was presented at the Milan Design Week
Dada cardboard cradle, by Ulrike Leitner, was presented at the Milan Design Week

 

You can purchase the cardboard cradle online at FromAustria.com. As in the case with our first constraint, Mid-Century Modern design motifs (think Hermann Miller Noguchi tables with foldable legs) lend themselves to solutions that work well with the flat-pack design constraint.

 

Constraint 3: Exotic, Precious Materials are Too Precious to Use Today

The flip side of Eco/Sustainable Design is the diminished use of precious, rare materials and resources. Exotic rain forest woods or mahogany? Time to call US Customs. Exotic animal skins and furs like bearskin rugs? Time to call PETA! Designs that even hint at the appearance of real ivory? Time to call the FBI! Once again, these exotic material constraints seem to validate the relevancy of reviving Mid-Century Modern design principles, which place more value on the genuine, honest use of materials (form follows function) and less on the exuberant display (conspicuous consumption) of exotic materials for their own sake.

 

The Peter Glassford stand at ICFF included a full-scale installation of collage tiles. Image courtesy peterglassford.com
The Peter Glassford stand at ICFF included a full-scale installation of collage tiles. Image courtesy peterglassford.com

 

This doesn’t mean that this new generation of designers doesn’t do the design equivalent of a wink at the tension caused by the disappearance of exotic materials from the design landscape. At both the Milan Design Week and ICFF, there were numerous examples where designers made in effect a design joke about the constraints of precious or exotic materials.

 

Constraint 4: New Lighting Technology for Energy Conservation

We can’t understate the importance of lighting. Architectural lighting is critical for establishing mood, presence and the hierarchical importance of a space. And task lighting is critical for reducing worker fatigue and increasing productivity. Today’s new generation of designers have been given a once-in-a-lifetime opportunity to develop new lighting designs which take advantage of energy-saving technologies like LED lighting.

Once again, Mid-Century Modern design language is inspiring many of the choices made by contemporary designers. LED lighting and other energy-saving lighting technologies, like compact fluorescent lamps, seem to lend themselves to repetitive geometric patterns — so at these recent design expositions, we saw a lot of Sputnik-inspired design motifs for chandeliers, hanging pendant lighting and wall sconces.

 

One of our favorite designs was by the Japanese design firm YoY. It's a discreet lighting projector which projects the image of a traditional lampshade onto the wall. Image courtesy http://yoy-idea.jp
One of our favorite designs was by the Japanese design firm YoY. It’s a discreet lighting projector which projects the image of a traditional lampshade onto the wall. Image courtesy http://yoy-idea.jp

 

Constraint 5: Need to Integrate Health, Well-Being, and Movement into Designs

Our fifth and final constraint was the main topic of last week’s article: Neocon 2014: Designers Offer Different Visions for Health and Well-Being at the Office. A short executive summary: Privacy is necessary for human interaction — without privacy in the workplace, employees become frustrated. When there’s no place to hold a private conversation with a colleague or customer, you can’t develop the level of trust needed to establish relationships. As shown in the report, many contract furniture designers who seek to solve this problem have turned to Mid-Century Modern design for inspiration.

 

Next Week in Part 2: Setting Design Trends in 2014 & Beyond

We will continue our survey of design trends making their appearance at the design exhibitions during the first half of 2014 in our article next week. We’ll take a closer look at how five constraints are influencing the choices that contemporary furniture and interior designers and architects are making as they establish new design trends. Are you getting a little design inspiration of your own? We hope so. We’d love to hear what you’re working on.

As you probably realize by now, Formaspace can build custom furniture designs — from workbench designs to bespoke conference tables to full research laboratories — based on your ideas, sketches or even detailed Autodesk Revit blueprints. Why not give us a call at 800.251.1505 to learn more about what we offer and how we can work together.